Description
Key features
Bus Compressor
- 4 modes of operation – Classic Stereo, Σ S/C Stereo, Dual Mono or Mid-Side
- External side-chain inputs and sends
- The authentic SSL Bus Compressor circuit
- LOW THD Mode reduces low-frequency distortion caused by compression
- F/B Mode alters the compression characteristics for a more ‘relaxed’ style of compression
- 4K Mode – single VCA operation with variable harmonic distortion to bring some ‘grit’ and ‘grunge’ to the mix
- Negative Ratios – for creative pumping effects and control of particularly loud signals
- New Attack and Release options, including the new ‘Auto 2’ setting
- MIX control for instant parallel compression
- Moving-coil gain reduction meters
- Unlockable Transient Expander
General
- 100% analogue circuit, controlled digitally using stepped front-panel pots
- Huge +27.5 dBu headroom
- Configurable processing order – Bus Compressor pre D-EQ (default) or post
- CH 1 IN and CH 2 IN buttons for global bypass
- Settable Operating Level – 0 dB (nominal), +10 dB, -5 dB
- Sleep and Auto-Sleep modes
- Precision MDAC-controlled MAKE-UP Gain with two ranges – 1 dB or 0.5 dB steps
D-EQ
- Powerful 2-band analogue Parallel Dynamic EQ – the D-EQ
- Compress/Expand modes
- 3 choices of time constants for each band – Nominal, FAST or AUTO
- 16 selectable Frequency points per band
- Adjustable Range control per band from 0.5 dB to 15 dB
- HF band can be switched to Bell shape, with selectable frequencies covering High-Mids and Highs
- Frequency band static ‘make-up’ gain for LF and HF bands (Stereo/ Σ S/C Stereo) or LF band (Dual Mono/Mid-Side)
- G-Series mode changes LF filter to be 2nd order with degree of undershoot/overshoot
- Tri-colour activity LEDs to indicate D-EQ activity
- Individually bypass-able bands
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